Logo of Vy's Donut with large text on a black background
A decorated donut with colorful sprinkles on top.

IF ATTENTION IS RENTED,
AND RITUALS ARE EARNED,
WHAT SHOULD BRANDS REALLY AIM FOR?

Close-up of a target with red center and concentric white and black rings.

That was the provocation Vy, our Graphic Designer, used to kick off her <Donut Session>

To explore the theme, Vy unpacked three iconic campaigns that prove advertising can move beyond fleeting impressions to create lasting rituals, and ultimately, shape (sub)culture.

Here’s where the conversation took us.

1. Spotify Wrapped

Agency: Spotify In-house Creative Team (since 2016)

Awards: Cannes Lions, D&AD, ADC Awards

Nighttime street scene in a city square with a large digital billboard displaying Spotify wrapped data for 2018, surrounded by historic buildings and people walking, red double-decker buses passing by.

Spotify proved that data is also powerful when it’s humanized.

Spotify logo with green circle and black sound waves
Close-up of a woman's face looking upward with a pondering expression.

Vy: “Everyone knows Spotify as the app you open for music. But once a year, everyone opens it at the same time for Spotify Wrapped. It becomes a trend, an end-of-year ritual that people wait for, share, compare and quietly judge everyone’s taste including their own.”

A black square with a white question mark in the center
A black background with a white question mark in the center
A black background with a white question mark in the center.

Nick:“So why did this one work, when so many data-driven campaigns didn’t?”

A close-up of a surprised man with wide eyes and open mouth, showing facial expression with gray hair.
Close-up of a person's face with glasses, smiling and looking to the side

Thu: “Funny thing is, Wrapped flopped twice before it became a popular ritual. It only exploded when the team traded boring charts for that ‘ugly-cool’ neon gradient. And personalization - people don’t share music; they share themselves. That’s why we have Wrapped in 9:16 format so people could share it on their Instagram Stories.”

A collage of eight screenshots from Spotify, each featuring colorful, vibrant graphics. The top left has a bold logo with the word "Wrapped 22" in black and yellow over pink, black, and yellow geometric background. The top right shows three mobile screens with starry and floral designs and text about listening history. The bottom left displays five mobile screens with colorful card designs and musical information about listening personality traits and top songs. The bottom right contains two screens showing top song charts with song titles, artists, and rankings, all with bright backgrounds and markers.

Nick: "The magic here is treating data as narrative, not just numbers. It taps into music's real superpower: anchoring memories. Your 'Year in Music' is actually a journal of your year in life. And it solves a massive business problem - retention - with pure emotion. Users stay because they're invested in their own story.

Person wearing a helmet shaped like a teapot with a spout, sunglasses, and a neutral expression.

The room went quiet. One of those “what ifs” that we hope might just turn into a brief a client says yes to.

Speech bubble icon with three dots inside
Black and white speech bubble icon with three dots inside
A yellow key icon on a black background.
A cartoon illustration of a donut with green icing and colorful sprinkles on top.

THE TAKEAWAY

Data isn’t the Goal. A Personal Narrative is.

At NguyenGordon, this is our North Star for digital and social media marketing in Vietnam. We translate cold analytics into experiences that people actively anticipate. Through content marketing, graphic design, and high-impact advertising, we move beyond the "scroll" to create something lasting. 


2. Coca-Cola Christmas 1995

Campaign: Holidays Are Coming

Awards: Multiple Cannes Lions

Status: One of the most iconic long-term brand platforms

This is where Coca-Cola owns Christmas.

Decorated Christmas-themed Coca-Cola truck with Christmas lights and Santa Claus image on a snowy background with pine trees.
Coca-Cola logo with white script on a red circular background.

Vy: “I picked the 1995 version. Before AI. Before everything. The first time the signature Coca-Cola red trucks rolled in. After that, people didn’t just watch the Coke Christmas ads, they waited for them. What I like about this ad is that it was selling a feeling.”

Close-up of a young woman's face with a surprised or curious expression, isolated on a white background.
Santa Claus with a white beard and red suit holding a Coca-Cola bottle, smiling against a green background.
Person wearing sunglasses and a novelty teapot-shaped helmet.
A black background with a white question mark in the center.

Nick: “But isn’t that a little egotistic? A red Coke truck rolls in, claims the holiday, and suddenly everyone’s happy to see… Coca-Cola?”

A series of bright red Coca-Cola trucks decorated with holiday themes, including a Santa figure, on a red background with sparkling effects and the text 'holidays are coming'.
Close-up of a smiling young man with glasses and dark, styled hair

VA:It worked because of the alignment. Red already belonged to Christmas; Coke just had the vision to own that space properly.”

Black cat with a red and yellow Tết decorations, including a hanging sign with 'Tết' written on it and a red lantern.
Close-up of a young woman's face with short dark hair, wearing red earrings.

Phuong: “It’s the same in Vietnam. People choose Coke for Tết gifts because red is the color of luck. That association is permanent.”

Close-up of a man's surprised face with wide eyes and open mouth
A black silhouette of a person with a yellow and red Tet festival sign hanging above, holding a red paper lantern.
A black silhouette of a person with a yellow and red Tet festival sign hanging above, holding a red paper lantern.

Nick: “That’s the power of the long game. Besides the color red, their ads always include their promise: ‘Happiness’. They just kept showing up with the patience to make it stick and eventually, it became a ritual.”

A yellow key icon on a black background.
A donut with green frosting and colorful sprinkles on top.

THE TAKEAWAY

Brands earn cultural ownership when they stay true to a single promise.‍ ‍At NguyenGordon, we believe strong brands are built when we are given the time to understand the business, not just the brief.


Rituals are built on consistency.

A chocolate donut with colorful sprinkles on top

3.Campaign: Đi Để Trở Về #1

Awards: Spikes Asia, YouTube Ads Leaderboard VN, PR Asia Awards

The trendsetter for music video-style Tết ads.

A young man with brown hair carrying a backpack, holding a city map, standing in front of a black train platform with red train wheels, promoting a book titled 'Di về' by Soobin Hoàng Sơn in Vietnamese with an 'Official' label.

Vy:Tết ads are the ultimate marketing ritual in Vietnam. Every brand fights to own a moment. But Biti’s did something different. Instead of the cliché ‘come home’, they told young people to go away, travel far so they could truly appreciate returning. And they didn't make a TVC; instead, they dropped a Music Video. It hit so hard in 2017 that ‘Tết MVs’ became the industry standard.”

Close-up of a young woman with fair skin, brown hair, and wide eyes, looking slightly upward and to the side.
A man with a surprised expression, with question marks above his head.
A black background with a white question mark in the center.
A black background with a white question mark in the center.

Thu: “Because it validated the audience. It connected the product - sneakers - to the physical and emotional journey of a year well-spent. An MV touches the soul in a way a standard hero film just can’t.”

Nick: “It shifted the whole landscape. But why did that specific insight work so well?”

Close-up of a smiling person wearing glasses, with a light skin tone and dark hair pulled back.
Person wearing a helmet shaped like a teapot with sunglasses.

Nick: “Exactly. I bet the team asked a hundred ‘What ifs’ to turn a standard brief into a cultural movement. That’s the goal: you have to keep pushing the idea as far as the timeline allows.”

Speech bubble icon with three dots inside.

Here we go. Another ‘WHAT IF’

A yellow key on a black background.

THE TAKEAWAY

Insights are the Anchor.
Execution is the Sail.

A powerful insight is what we strive for, especially during high-stakes seasons like Tết, where brands are shouting over each other, but very few are actually saying anything meaningful.

At NguyenGordon, this philosophy is the foundation of our approach to branding and cultural marketing for our local and international clients.We look for the tension beneath the surface to create campaigns that resonate.


Three donuts with different toppings: a glazed donut with pink sprinkles, a chocolate donut with multicolored sprinkles, and a frosted donut with green frosting and rainbow sprinkles.
A flying heron with long legs and a beak, wings spread wide.

A CASE STUDY WE HAVE A LOT OF FUN BUILDING

CLIENT: BVIS

A prime example is our work for BVIS. We uncovered a real cultural tension: families embracing international education while fearing their children might lose touch with their roots.

So we created a gentle story that parents and children could share, following Lúa, a young heron proud of being “global,” yet lost at home. We brought it to life on stage, performed by children for their parents. An event at first, it grew into a shared moment, a memory, a ritual.

This is the power of culture-driven marketing in Vietnam. Whether working with startups, SMEs, or global brands, we believe meaningful branding is built through care, consistency, and deep cultural relevance.